Eris
Goddess
In Greek mythology, Eris (Ancient Greek: Ἔρις, romanized: Eris, lit. 'Strife') is the goddess and personification of strife and discord, particularly in war, and in the Iliad (where she is the "sister" of Ares
the god of war).
- Mentions
- 6
- Connected characters
- 1
- Books
- 5

Mentions in the Iliad
A. T. Murray, Loeb Classical Library, Harvard University Press, 1924 · Homer, Iliad with an English Translation · CC BY-SA 3.0 US
“and Terror, and Rout, and Discord that rageth incessantly, sister and comrade of man-slaying Ares; she at the first rears her crest but little, yet thereafter planteth her head in heaven, while her feet tread on earth. She it was that now cast evil strife into their midst”
“as they saw him come to join them alive and whole and possessed of valiant courage. Howbeit they questioned him not at all, for toil of other sort forbade them, even that which he of the silver bow was stirring, and Aresthe bane of mortals, and Discord that rageth without ceasing. On the other side the Aiantes twain and Odysseus
and Diomedes
”
“Now Dawn rose from her couch from beside lordly TithonusTiTi, to bring light to immortals and to mortal men; and Zeussent forth Strife
unto the swift ships of the Achaeans, dread Strife
, bearing in her hands a portent of war.”
“even so the Trojans and Achaeans leapt upon one another and made havoc, nor would either side take thought of ruinous flight; and equal heads had the battle, and they raged like wolves. And Strife, that is fraught with many groanings, was glad as she looked thereon; for alone of the gods she was with them in their fighting;”
“And amid them Strifeand Tumult joined in the fray, and deadly Fate, grasping one man alive, fresh-wounded, another without a wound, and another she dragged dead through the mellay by the feet; and the raiment that she had about her shoulders was red with the blood of men. Even as living mortals joined they in the fray and fought;”
“in their terror, when they beheld the swift-footed son of Peleus, flaming in his harness, the peer of Ares, the bane of men. But when the Olympians were come into the midst of the throng of men, then up leapt mighty Strife
, the rouser of hosts, and Athene cried a1oud,—now would she stand beside the digged trench without the wall,”
See all 6
Connections
Brother · Sources
and Terror, and Rout, and Discord that rageth incessantly, sister and comrade of man-slaying Ares; she at the first rears her crest but little, yet thereafter planteth her head in heaven, while her feet tread on earth. She it was that now cast evil strife into their midst
Il. 4.441
Ally · Sources
and Terror, and Rout, and Discord that rageth incessantly, sister and comrade of man-slaying Ares; she at the first rears her crest but little, yet thereafter planteth her head in heaven, while her feet tread on earth. She it was that now cast evil strife into their midst
Il. 4.441
See all 1
In art

Jan van Bijlert. The Feast of the Gods. Musée Magnin. CC0. https://www.wikidata.org/wiki/Q127971966

Hendrick de Clerck. The Nuptials of Thetis and Peleus. Department of Paintings of the Louvre. Public domain. https://www.wikidata.org/wiki/Q19017086
Image author: Jan Brueghel the Elder / Hendrick de Clerck
Image date: between 1600 and 1630

Pit1233. Bdg Gdanska15 Eris 07-2013. собрание не указано. CC0. https://commons.wikimedia.org/wiki/File%3ABdg_Gdanska15_Eris_07-2013.jpg
Image author: Pit1233
Image date: 2013-07-08 18:14:46
See all 17

неизвестный мастер. Eris Antikensammlung Berlin F1775. собрание не указано. Public domain. https://commons.wikimedia.org/wiki/File%3AEris_Antikensammlung_Berlin_F1775.jpg
Image date: 575-525 av. J.-C.

Pit1233. Bdg Jedynak 7 5-2015. собрание не указано. CC0. https://commons.wikimedia.org/wiki/File%3ABdg_Jedynak_7_5-2015.jpg
Image author: Pit1233
Image date: 2015-05-13 08:29:22

Katolophyromai. Illustration of Eris. собрание не указано. CC BY-SA 4.0. https://commons.wikimedia.org/wiki/File%3AIllustration_of_Eris.jpg
Image author: Katolophyromai
Image date: 2020-06-29

Художник — Н. А. Васильев; правообладатель — А. В. Рябинин. Яблока раздора Эрида Алексей Рябинин из книги ENG. собрание не указано. CC BY-SA 4.0. https://commons.wikimedia.org/wiki/File%3A%D0%AF%D0%B1%D0%BB%D0%BE%D0%BA%D0%B0_%D1%80%D0%B0%D0%B7%D0%B4%D0%BE%D1%80%D0%B0_%D0%AD%D1%80%D0%B8%D0%B4%D0%B0_%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B5%D0%B9_%D0%A0%D1%8F%D0%B1%D0%B8%D0%BD%D0%B8%D0%BD_%D0%B8%D0%B7_%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8_ENG.jpg
Image author: Художник — Н. А. Васильев; правообладатель — А. В. Рябинин
Image date: 2018

Художник — Н. А. Васильев; правообладатель — А. В. Рябинин. Эрида из книги Яблока раздора Алексея Рябинина. собрание не указано. CC BY-SA 4.0. https://commons.wikimedia.org/wiki/File%3A%D0%AD%D1%80%D0%B8%D0%B4%D0%B0_%D0%B8%D0%B7_%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8_%D0%AF%D0%B1%D0%BB%D0%BE%D0%BA%D0%B0_%D1%80%D0%B0%D0%B7%D0%B4%D0%BE%D1%80%D0%B0_%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B5%D1%8F_%D0%A0%D1%8F%D0%B1%D0%B8%D0%BD%D0%B8%D0%BD%D0%B0.jpg
Image author: Художник — Н. А. Васильев; правообладатель — А. В. Рябинин
Image date: 2017

Kalpo. ArbolMorfeo. собрание не указано. CC BY 2.5. https://commons.wikimedia.org/wiki/File%3AArbolMorfeo.png
Image author: Kalpo
Image date: 2007-06-21

incidencematrix. Hail Eris! (30889151746). собрание не указано. CC BY 2.0. https://commons.wikimedia.org/wiki/File%3AHail_Eris%21_%2830889151746%29.jpg
Image author: incidencematrix
Image date: Taken on 22 August 2016, 22:02

Художник — Н. А. Васильев; правообладатель — А. В. Рябинин. Яблока раздора Эрида Алексей Рябинин из книги. собрание не указано. CC BY-SA 4.0. https://commons.wikimedia.org/wiki/File%3A%D0%AF%D0%B1%D0%BB%D0%BE%D0%BA%D0%B0_%D1%80%D0%B0%D0%B7%D0%B4%D0%BE%D1%80%D0%B0_%D0%AD%D1%80%D0%B8%D0%B4%D0%B0_%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B5%D0%B9_%D0%A0%D1%8F%D0%B1%D0%B8%D0%BD%D0%B8%D0%BD_%D0%B8%D0%B7_%D0%BA%D0%BD%D0%B8%D0%B3%D0%B8.jpg
Image author: Художник — Н. А. Васильев; правообладатель — А. В. Рябинин
Image date: 2018

Adam van Vianen / After Abraham Bloemaert. Plaque with the Wedding of Peleus and Thetis. собрание не указано. Public domain. https://commons.wikimedia.org/wiki/File%3AAdam_van_Vianen_-_Plaque_with_the_Wedding_of_Peleus_and_Thetis_-_Walters_542399.jpg
Image author: Adam van Vianen / After Abraham Bloemaert
Image date: between 1595 and 1600

Jim G from Silicon Valley, CA, USA. DSC33156, Caesar’s Palace Hotel and Casino, Las Vegas, Nevada, USA (6995324547). собрание не указано. CC BY 2.0. https://commons.wikimedia.org/wiki/File%3ADSC33156%2C_Caesar%E2%80%99s_Palace_Hotel_and_Casino%2C_Las_Vegas%2C_Nevada%2C_USA_%286995324547%29.jpg
Image author: Jim G from Silicon Valley, CA, USA
Image date: 2010-09-12 15:37

Miniature in Jean Miélot's adaptation of Christine de Pisan, L'Epître d'Othéa , ca. 1460. The Wedding of Peleus and Thetis Miniature in Jean Miélot's adaptation of Christine de Pisan, L'Epître d'Othéa , ca. 1460. собрание не указано. Public domain. https://commons.wikimedia.org/wiki/File%3AThe_Wedding_of_Peleus_and_Thetis_Miniature_in_Jean_Mi%C3%A9lot%27s_adaptation_of_Christine_de_Pisan%2C_L%27Ep%C3%AEtre_d%27Oth%C3%A9a_%2C_ca._1460.gif
Image author: Miniature in Jean Miélot's adaptation of Christine de Pisan, L'Epître d'Othéa , ca. 1460
Image date: circa 1460

Peter Paul Rubens. The Wedding of Peleus and Thetis. собрание не указано. Public domain. https://commons.wikimedia.org/wiki/File%3AThe_Wedding_of_Peleus_and_Thetis_by_Peter_Paul_Rubens.jpg
Image author: Peter Paul Rubens
Image date: 1636

artist Gabriel V. Gaona (Picheta). Cancion de la Discordia - Picheta, Yucatan 1847. собрание не указано. Public domain. https://commons.wikimedia.org/wiki/File%3ACancion_de_la_Discordia_-_Picheta%2C_Yucatan_1847.png
Image author: artist Gabriel V. Gaona (Picheta)
Image date: 1847

Exaleiptron tripode attique à figures noires - Musée du Louvre AGER CA 616 - photo 2. Department of Greek, Etruscan, and Roman Antiquities of the Louvre. CC0. https://www.wikidata.org/wiki/Q118369340
04 / PROVENANCE
Sources and verification
The character is matched to the catalogue.
- Wikipedia · Eris (mythology) · CC BY-SA 4.0
Excerpt; remaining sentences omitted.
Reference material remains distinct from the poem’s assertions. Characters who share a name retain separate pages.


