Calchas

Mortal man

Calchas (; Ancient Greek: Κάλχας, romanized: Kálkhas) is an Argive mantis, or seer, in Greek mythology. Calchas appears in the opening scenes of the Iliad and also has a long literary history after Homer.

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Mentions
7
Connected characters
1
Books
3

Mentions in the Iliad

A. T. Murray, Loeb Classical Library, Harvard University Press, 1924 · Homer, Iliad with an English Translation · CC BY-SA 3.0 US

“in hope that he may accept the savour of lambs and unblemished goats, and be willing to ward off the pestilence from us. When he had thus spoken he sat down, and among them arose Calchas son of Thestor, far the best of bird-diviners, who knew the things that were, and that were to be, and that had been before,”
Il. 1.65–69
“not even if you name Agamemnon, who now claims to be far the best of the Achaeans. Then the blameless seer took heart, and spoke: It is not then because of a vow that he finds fault, nor because of a hecatomb, but because of the priest whom Agamemnon dishonoured, and did not release his daughter nor accept the ransom.”
Il. 1.90–94
“whether the prophecies of Calchas be true, or no. For this in truth do we know well in our hearts, and ye are all witnesses thereto, even as many as the fates of death have not borne away. It was but as yesterday or the day before, when the ships of the Achaeans were gathering in Aulis, laden with woes for Priam and the Trojans;”
Il. 2.300–304
“and we stood there and marveled at what was wrought. So, when the dread portent brake in upon the hecatombs of the gods, then straightway did Calchas prophesy, and address our gathering, saying: 'Why are ye thus silent, ye long-haired Achaeans? To us hath Zeus the counsellor shewed this great sign,”
Il. 2.320–324
“in the likeness of Calchas, both in form and untiring voice. To the two Aiantes spake he first, that were of themselves full eager: Ye Aiantes twain, ye two shall save the host of the Achaeans, if ye are mindful of your might, and think not of chill rout. Not otherwhere do I dread the invincible hands”
Il. 13.45–49
“even so from them sped Poseidon, the Shaker of Earth. And of the twain swift Aias, son of Oïleus, was first to mark the god, and forthwith spake to Aias, son of Telamon: Aias, seeing it is one of the gods who hold Olympus that in the likeness of the seer biddeth the two of us fight beside the ships—”
Il. 13.65–69

Connections

Father · Sources
Father · Sources
in hope that he may accept the savour of lambs and unblemished goats, and be willing to ward off the pestilence from us. When he had thus spoken he sat down, and among them arose Calchas son of Thestor, far the best of bird-diviners, who knew the things that were, and that were to be, and that had been before,
Il. 1.69
When he had thus spoken he sat down, and among them arose the warrior, son of Atreus, wide-ruling Agamemnon, deeply troubled. With rage his black heart was wholly filled, and his eyes were like blazing fire. To Calchas first of all he spoke, and his look threatened evil:
Il. 1.101

Il. 1.69 · Il. 1.101

In art

Жертвоприношение Ифигении
Жертвоприношение ИфигенииFrançois Perrier · 1632Musée des Beaux-Arts de DijonInv. 4931

François Perrier. Жертвоприношение Ифигении. Musée des Beaux-Arts de Dijon. Public domain. https://www.wikidata.org/wiki/Q107090360

Жертвоприношение Ифигении
Жертвоприношение ИфигенииCharles de La Fosse · 1712Musée de l'Histoire de FranceInv. MV 6169

Charles de La Fosse. Жертвоприношение Ифигении. Musée de l'Histoire de France. Public domain. https://www.wikidata.org/wiki/Q18809469

Sacrifice of Iphigenia.
Sacrifice of Iphigenia.Franz Anton Maulbertsch · 1750National Museum in WarsawInv. M.Ob.1001 (127708)

Franz Anton Maulbertsch. Sacrifice of Iphigenia.. National Museum in Warsaw. Public domain. https://www.wikidata.org/wiki/Q22992339

See all 8
Жертвоприношение Ифигении
Жертвоприношение ИфигенииPhilippe Millereau · 1600Musée national du Château de FontainebleauInv. F 2910 C

Philippe Millereau. Жертвоприношение Ифигении. Musée national du Château de Fontainebleau. Public domain. https://www.wikidata.org/wiki/Q26709672

The sacrifice of Iphigeneia
The sacrifice of IphigeneiaBertholet Flémal · 1650Department of Paintings of the LouvreInv. INV 161

Bertholet Flémal. The sacrifice of Iphigeneia. Department of Paintings of the Louvre. Public domain. https://www.wikidata.org/wiki/Q29656673

Жертвоприношение Ифигении
Жертвоприношение ИфигенииSébastien Bourdon · 1650Musée des Beaux-Arts d'OrléansInv. INV 69-11-1

Sébastien Bourdon. Жертвоприношение Ифигении. Musée des Beaux-Arts d'Orléans. Public domain. https://www.wikidata.org/wiki/Q5826552

Жертвоприношение Ифигении
Жертвоприношение ИфигенииGiovanni Battista Tiepolo · 1757Collection not recorded

Giovanni Battista Tiepolo. Жертвоприношение Ифигении. Public domain. https://www.wikidata.org/wiki/Q64347130

Sacrifice of Iphigeneia
Sacrifice of IphigeneiaArtist not recorded · 50Naples National Archaeological MuseumInv. Inv.9112

Sacrifice of Iphigeneia. Naples National Archaeological Museum. CC BY-SA 4.0. https://www.wikidata.org/wiki/Q12877588

04 / PROVENANCE

Sources and verification

The character is matched to the catalogue.

Wikidata Q725527

Reference material remains distinct from the poem’s assertions. Characters who share a name retain separate pages.